音乐创作，对信宏来说并不是天赋，而是后天建立起的兴趣加努力。他知道，学习音乐的漫漫长路是无止无尽，也因为这样，音乐会是多姿多彩。
在求学的过程中，音乐一直都是信宏非常讲究的部分。小学时期就在铜乐队里混的他，接触过口风琴和喇叭；中学时期则在管乐队里吹奏法国号。他从小学习的都是音乐演奏，一直到他买了吉他，才开始自学和了解与流行音乐创作相关的乐理。信宏有提到，他自己不是一个很好的演奏家。但是对流行乐和摇滚乐非常喜好，甚至对音乐创作有一股热爱。曾用口风琴吹出心旋律的他，就像是无法避免创作这宿命般的事。
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| 信宏说，要面对自己的缺点，也要接受批评，因此不要害怕去面对。 |
当信宏拥有了自己的吉他后，透过网络资料自学和弦，开始自弹自唱自创曲。直到大二，找到吉他编辑软件后，信宏才开始有了可以满足自己一直以来对摇滚乐的喜爱，至此才认真学习弦乐理。信宏有提到自学创作因为网络资料的方便，自学也相对的简单，重要的是个人得挨过这个学习的过程。当然，不可避免的是要面对自己的缺点，也要接受批评，因此不要害怕去面对。
信宏觉得要在学习音乐持之以恒，思维里的创意是不可或缺的。每作的一首曲会在音乐修行路上为自己定位。歌曲中，他希望让每个人知道自己喜欢什么又或者憧憬什么。在自己一心创造的曲库里，他也希望能让一个人找回最初的感动，同一首歌在不同的人生阶段给人不同的领悟。作一首歌，能带来的是一次又一次对音乐的热情，重燃出更大的火焰。所以信宏对音乐是带着阿Q精神一起出发。
音乐启蒙时期的信宏，最爱飞儿乐团，大无限乐团和David Cook。现在喜欢的音乐人不计其数，这其中有林宥嘉，轻晨电，张悬，ryo，米津玄师， Neru，麻枝準，乌屋茶房，HUSH，梶浦由记、ALI
PROJECT、泽野弘之、蘑菇帝国等。
在于文字这一块，中学时期的他，沉迷于郭敬明的作品，而模仿他的文风在博客上写一些叙事和抒情的文字；大学时期的他，沉迷哲学，主要是尼采的作品，日本动漫中的深度作品也对他带来影响。信宏的个人分享，阅读求精求深刻不求多，个人的偶像多厉害，一个人就有机会变得多厉害。和音乐创作的共同点是一个人也要熬过一个学习的曲线。
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越是长大，这世界的规则就越是模糊不定。越是枪林弹雨，就越要我们从容而积极地面对。 |
音谷贝特缘起于第二届沙大中华文化之夜。信宏从中最大的收获，除了认识许多新朋友之外，还意识到 “人人有别” 这件事。不一样的经历，对会对未来的展望造就不一样的个体，甚至不一样的沟通方式，从而延伸出的用词和理解都会因误差而导致沟通故障。爱哲学的他去了图书馆借了一些有关性格分类和性格互动的书籍，并分析这些人与人之间的关系和交际的基础。借此机会，能在一个团体中冷静及有效率的让自己的意见一一发出，并让团员们知道他想表达的想法。对于信宏而言，音谷贝特的成立有一定的必然性在里面。文化之夜结束后一群爱玩艺术的人无所事事又无处可去，自然就聚在了一起，做想做的事。
信宏对音谷贝特有一个期许，希望日后不管浪静风平或风风雨雨里，音谷贝特都能成为大家发展各自爱好的温床，在或许不被了解和不被看好的环境里，都有一个能自由发挥的容身之所，在互相的陪伴下，在对艺术有更深的接触和体验的同时，不至于太过孤单。他也为音谷贝特送上祝福，为将来干杯。信宏希望，音谷贝特这平台不只是让成员们有个给艺术与原创一个安稳的避风港，也让大家有一个繁盛多彩的港湾，在那嬉戏，品尝每一位成员所酝酿出来的作品。
后记：第一次与信宏接触是在沙大中华文化之夜，那时听信宏提及自学乐理，小编觉得不可思议。那时候的主题曲《遗典一滴》，就出自于信宏的创作。后来，信宏开始与几个组员分享文字创作这一块，才发现，原来他不只对音乐创作有研究，在文字创作上也有相对的程度。
后记：第一次与信宏接触是在沙大中华文化之夜，那时听信宏提及自学乐理，小编觉得不可思议。那时候的主题曲《遗典一滴》，就出自于信宏的创作。后来，信宏开始与几个组员分享文字创作这一块，才发现，原来他不只对音乐创作有研究，在文字创作上也有相对的程度。
The creation of music, to Sin Hoong, is not a
talent but has to be acquired by establishing an interest in addition to making
tremendous efforts. The long path of learning music is endless. Because of
this, music is colorful.
During his journey to
pursue studies, Sin Hoong has been very particular about music. He learned to
play musical instruments from organ, trumpet to French horn by joining the
orchestra. Things changed when he first bought a guitar. He started to learn
the musical theory related to pop music. He mentioned that he was not a good
player, but he has a strong enthusiasm towards pop and rock music. On top of
that, his love towards music composition overwhelms.
Ever since he owned a
guitar, and with the help of Internet accessibility, he learned to play chord
and create own music. Until his second year in university, he found himself a
guitar editing software. This was when he could satisfy his hunger for rock
music. He thinks that self-learning is possible and relatively simple. It is
important that the individual could get through the learning process. It is
inevitable to face your own shortcomings, but also to accept criticism as well
as to face the problems arisen.
Sin Hoong realized that
perseverance and creative thinking are the essential elements in the music
learning process. Each musical piece created represents the self-positioning in
the musical path. He hopes that, through his music, everyone would know what
they like and what they envision for. He wishes that his efforts in building
his own music library would make back the initial move of an individual. You
might be surprised that at different stages of life, the same song gives a
different insights to an individual. Making a song itself is therefore the
perfect tool to bring the passion for music, as well as to rekindle the flame
in you.
Sin Hoong was enlightened
with his favourite music from FIR and David Cook. Recently, he listens to
countless number of musicians and singers including Yoga Lin, Light Morning
Power, Zhang Xuan, Ryo, Kenshi Yonezu, Neru, Aji Jun, HUSH, Yuki Kajiura, ALI
PROJECT, Hiroyuki Sawano and Mushroom Empire.
Regarding to words and
writing, on the other hand, he indulged himself in Guo’s works during his
secondary school. He even imitated his style of narrative and lyrical writing
on his own blog. However, he was obsessed with philosophy, mainly the works of
Nietzsche, during his university period. Japanese in-depth anime works also
have an impact on him. Sin Hoong shared that readings should be refined and
concentrated but not seek for quantity. The more powerful one’s idol is, the
greater the opportunity one to become more powerful.
The more grown up we are,
the more uncertain we are towards the rules of this world.
The more hail of bullets,
the calmer and more positive we have to be in order to face them.
Incubator Workshop was
originated from the UMS Chinese Cultural Night 2013. The greatest gain to Sin
Hoong, in addition to know many new friends, was to realize that everyone is
different. Different experiences would lead to the different vision to the
future, or even a different way of communication would cause communication
breakdown merely because of the extended presentation and understanding are
different. To study on this aspect, he even went to the library and read about
character classification and interactions. By understanding this, he took the
opportunity to raise his viewpoints in a team, calmly and effectively. For Sin
Hoong, the establishment of Incubator Workshop has a certain inevitability in
it. The glamorous closing of the cultural night naturally gathered the artistic
enthusiasts and formed the Incubator Workshop today.
Sin Hoong hopes that in
future, regardless of ups and downs, Incubator Workshop would be a hotbed for
artistic enthusiasts to develop their passion. Perhaps, Incubator Workshop
could be the perfect shelter to play around freely in the harsh environment wherein
we are not trusted nor understood. In the company of each other, we could have
a deeper contact and experience with arts without being lonely. He blesses
Incubator Workshop for its best, and cheers for its future. He wishes that this
platform not only allows members to have an original arts’ safe haven, but also
to be playful, colourful and eventually to taste every single works brewed.
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